編輯專欄

 ICLP Bulletin

 

 

(continued)

It was only after reaching a certain level of mastery with her peonies that Bao Rong began to engage in bolder experimentation.  One is only free to dabble with variations after mastering the original theme, she explains.  It is her hope to integrate more techniques from Western watercolor painting into her Chinese style but admits the difficulty of this.  Guohua, watercolor, oil painting…  In a person’s lifetime she can only learn one of these well.  If someone can study two styles or media and perfect both of them, well that’s a genius. …I’ve been painting for forty years and published eight books.  I’m still not sure what is right and what isn’t.  So at some point you have to go with your gut feeling.  You finish the piece, you hang it up and you see if it makes you feel good.”

 

At sixty-five, the artist couldn’t be more passionate in her daily quest for new challenges.  When asked the secret of her success, Bao Rong, artist and teacher, offers a modest reply: “There’s nothing more to it than hard work.”  One need only behold one of her mural-sized peony masterpieces, or delight in the bonhomie of her morning classes to be sure that there is much more to it than that.

 

潑墨山水

 

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